Chapter 3
The sight that Ryo saw outside the door surprised him slightly. Exactly, the entrance to the Dungeon was on a mountain slope, and there was quite a brawny forest in front of the entrance ... it was like a forest similar to those in central Europe. However, many exotic plants for Ryo added a pleasant fantasy atmosphere.
There were many plants that either radiated a green glow, had strange shapes, the blue moss that covered all the trees and parts of the earth. Just a strange ... very blue forest. For a moment, Ryo wondered if he was in some poisonous area because he couldn't see any animals ... but he could hear birds ... or something like that. So there is a chance that something lives in such a strange climate.
However, hours pass, and Ryo is unable to attract any animals without any bait. Even the terrible gray squirrels with sharingan ... I mean they have eyes like that or something like that. But no power. They didn't want to enter a friendly dark tomb ... Heh ... Exactly.
And even at night nothing came in, many animals just passed by but didn't come in. So Ryo was killing time by adding decorative twist to the walls of the Dungeon.
For example, he changed all the walls to resemble classic stone bricks in the style of medieval castles. And the door itself was modeled in such a way that it imitated wooden, even though it was made of stone. But it does not matter.
The next day was as boring as the previous one, and Ryo wished not even the mice had entered his Dungeon. An old Dungeon, after all, or so. I should have mice, and if there were a lot of them. It was Ryo who could generate the cheapest monster to gather resources or lure creatures to the Dungeon.
Although such a long moment of loneliness and stagnation gave Ryo moments to think. First, does the only source of Biomass have to be living beings, because in this dull, Ryo thinks he will go mad. But if plants were obtained, wouldn't they generate Biomass? Like fruit or spreading, as if giving them adequate space. And then turn most of the Biomase into Biomase, and leave the rest to repeat the process.
It wasn't stupid, but it required one monster to bring back some resources.
And so the first week passed, which was limited only to the modernization of the Dungeon space. However, without Biomass and other raw materials than stone, it was difficult.
Within this week, Ryo finished -1st. Which, apart from a few meters wide corridor, a large room for the Boss, and a hidden room behind him. There wasn't much.
Ryo wasn't sure what Boss he would add to this room, but having nothing better to do with it. He decorated the rooms in a medieval throne room, with a light platform with a throne. Two figures depicting sexy female warriors in skimpy armor, but with horns. To add vibe to an already spooky Dungeon.
From the fact that out of boredom, Ryo carved a stone rug and decorations. It all looked as if it was used on the entire throne room of Medusa's sight or the curse of petrification.
https://pl.pinterest.com/pin/28006828923229409/
Ryo also added some platforms for the fire, but no wood or other means to light and hold the fire. It was just an ornament that cannot be seen without an external light source or night vision.
Additionally, Ryo is content to set up traps that he can control. He decided to slightly modify them, but not change their position.
For example, a wall that blocks the exit when it falls and blocks the exit. With the victim standing close to her, Ryo can activate the spikes that will pop out of her and pin the victim. And there were so many spikes, and ryo practiced his reaction time. To make it quick and lethal. After all, it's about his life. He will not do the first easiest floor.
Plus, all stone ball traps that don't fall from the ceiling. But they pop off the wall, for example, now they act like drills and Ryo remembering Minecraft. He modified them so that these walls would crush the target at high speed.
Ryo decided to leave the deep fall because he had plans for her. If he gets access to water, but never mind.
The best fact is that if Ryo doesn't activate the trap, all corridors are safe and empty. Which can give the illusion of an old dungeon or a long abandoned castle engulfed by a mountain.
However, after all this, Ryo began to get bored. So because of the silly loathsome thought of the tentacle hentai. He had an idea of how to get Biomase. Eventually, many animals pass by his Dungeon but do not go inside. So if he could shoot a stone tentacle and kill, for example, a horned bear ... such a brown bear with two rhinoceros horns and breathes fire. And kill him and drag his body inside.
And Ryo began to learn to shape a stone into tentacles or a chain ended with a Hook or a harpoon. Having too much time, Ryo began by trying to shape the tentacle and try to control it.
But to control a tentacle that looked like a mechanical stone tentacle. Because Ryo had to add a lot of elements for her to bend over. It took him a week, but it was a bit of a burned project, but ryo used it like he was going to kidnap some adventurer with nice tits ... well he's lonely. And that was a passing thought. But he added a few tentacles popping out of the wall.
Seriously, the amount of flip-flops on the first floor of this dungeon is crazy and there are new ones all the time. And if it were not for the panel and the fact that for some reason the specificity of Ryo's mind as a Dungeon. It provides him with enhanced memory and concentration. He would probably have forgotten most of them. But yes, he has everything under control.
However, a new design was a weapon modeled on the Scorpion weapon from MK. Which not only the specifics of the chain were inherently simple to twist and manipulate without finalizing the mechanisms. In addition, Ryo added not only Kunai at the end, but also Harpoon, a spearhead, a spiked a club, a goat, or a chain with a stone ball at the end. And that gave Ryo a small arsenal to attack over long distances .... And it added some pendulum half-caps falling from the ceiling .... Lots of traps.
But now with this weapon, Ryo waits for the first victim to be within range of his new toys.