Apocalyptic Return To Famine

   Chapter 343 Black Opposite

   The name of Qiao Jin's painting is called Light.

  Light is the opposite of black.

   is also a thin figure, that figure is standing there, behind him is boundless darkness.

  The face of that figure completely appeared on the screen, and at this moment that face was slightly raised and looked forward.

   And ahead, is light.

The most advanced of the whole painting is the color tone of the light, the natural smudged transition, which makes people feel warm and not abrupt, just a few excessive colors give people a very kind feeling, which makes people want to involuntarily. To get close, to want to have, to bathe in that light.

   And the expression on that figure's face is also very second, that expression is not exactly a smile, it seems a little stunned and incredible, but it is happy.

   It's like seeing a mirage in dreamland. It's a mirage that really exists. It's not something you can't touch or touch.

   It turns out that this world is not completely dark, it turns out that there is light in this world, it turns out that the light is so beautiful and so warm.

   As long as everyone looks at this expression, they can feel the mood of the person in the painting at this moment, and they can fully empathize with it.

   Everyone even involuntarily wanted to reach out and touch the light, as if there was some kind of magic, people couldn't help but be fascinated.

   And after looking at the light for a long time, look at the darkness behind the figure.

  I don't know if it's everyone's illusion, but the black seems to have faded a little bit, and it doesn't seem to be as dark as when I just watched it.

   This is a static two-dimensional plane painting, but for some reason, everyone sees light from darkness, as if the darkness was dispelled by light.

   Obviously that black is still there, but it seems to be about to end.

   Is this some kind of magic?

   Everyone is amazed by their delusions.

   In fact, this is not magic, but a clever use when the two parts of black and light are over-colored in the late Tang Dynasty.

  When people's eyes see the light she painted for a long time, after overexposure, when they look at the dark, there will be a visual illusion that they are different.

   This is not only using color, but also the focusing of the human eye.

  The change of black and light is actually the best finishing touch to the whole painting.

   Wonderful, really wonderful!

   Seeing such a painting, everyone no longer has any doubts and is convinced.

   And after reading Qiao Jin's painting, and then looking at Zhang Siyang's painting next to him, it is obviously much inferior.

  Zhang Siyang's paintings are very simple, he paints the scenery in this valley.

The    painters are actually very good, and they reproduce everything here almost perfectly.

  To be reasonable, if Zhang Siyang's painting skills were really poor, even if he copied Qiao Jin's paintings at that time, everyone would not believe it.

   Zhang Siyang's painting cannot be faulted.

   But although there is nothing wrong with it, this painting is not a good work.

  Because there is no emotion in this painting.

  The reason why works of art can become works of art is because of the emotions contained in them and the feelings conveyed to people.

   If it is only good to draw realistic skills, then why not use a machine to take pictures? That's much more realistic than what a human could draw by hand.

   It can be said that the paintings of Zhang Siyang and Qiao Jin are completely incomparable.

   This painting by Qiao Jin is called light, which can be seen by both eyes and brains. This painting is the complete opposite of the previous black painting.

   The way of painting and expressing ideas is very similar, but the emotions conveyed are completely different.

   If the previous black painting wanted to express boundless pain and helplessness, then this light wanted to express hope and redemption within reach.

   At the end of Tang Dynasty, she painted this painting not only to win the game and to correct Qiao Jin's name, but she also painted it for Qiao Jin.

  The little girl has lived in pain and darkness all her life, even though she has a warm family, it has not pulled the poor child out of the abyss.

But when Tang Mo painted this picture, he wanted to tell her that this world is not just pain, maybe you raised your head a little, hope is not far from you, this hope is so warm, no matter how painful you are now , you are only a short distance away from happiness, you can see it as long as you look up.

   No one in this world can feel the same. The pain experienced by one person cannot be felt by another person even in the most intimate relationship.

   But art is interlinked. The ideas that human beings want to convey through art can be perceived by another person who appreciates art.

   And now, those who are looking at the painting, feel this emotion.

   And at the end of Tang Dynasty hoped that Xiao Jin could also feel it.

   And the reason why the principal has seen this painting for so long is because the principal is the only one here who can truly understand the true meaning of Xiaojin's painting.

   The dark times that Qiao Jin experienced when she was seven years old were the dark times in her heart all her life.

   But in the bottom of the child's heart, he is so looking forward to the light, so he has the present painting.

   The principal knows something about what happened to Qiao Jin in the last competition.

   But at that time it was indeed Zhang Siyang who handed in the works for a long time before Qiao Jin, so the principal took it for granted that Qiao Jin was plagiarizing.

  Because he was afraid that the child would not be able to bear it, the principal didn't talk to her alone anymore, for fear of adding psychological pressure to her.

   That child is also stubborn and feels wronged, but never speaks.

   I don’t talk about it at home, the teacher doesn’t talk about it, and I don’t have any friends, so I just keep it in my heart.

   The principal feels very guilty, the child of the old Qiao family, he should believe her.

  Old man Qiao entrusted the child to him. Right under his own eyes, he actually made this child suffer so much grievance. He felt ashamed!

   The headmaster felt very guilty at this time, and his heart was full of pity for Qiao Jin.

  Fortunately, fortunately, now this child has proved himself through painting.

  Prove it?

   It was Tang Mo who helped Qiao Jin correct her name, and the real Qiao Jin still remembered this matter in her heart when she died. Even if she was dying, it was still a knot in her heart.

   "Students, you have seen Qiao Jin's painting, and you have also seen Zhang Siyang's painting. Qiao Jin, do you have anything to say?"

   Now that the truth is known, the principal naturally wants to help Qiao Jin fulfill her wish.

   This child has spent so much thought trying to clarify this fact to everyone, so he naturally wants to do as she wishes.

   Countless pairs of eyes looked at Tang Mo, and everyone's heart was very complicated.

   Now the truth of the facts is in front of us, and all the truth seems to be about to come out like this.

  But before they…

   Everyone thought of what they had done to Qiao Jin because of the plagiarism incident, and the content in their eyes was very complicated.

   (end of this chapter)